Magdalena Hilpold

My preferred artistic medium is…
...stage design, although I also enjoy experimenting with performance and spatial installations.

My art in three words…
...experimental, colorful, and collage-like—assembled from found and diverse materials.

A recurring theme in my work is…
Answering this question was initially challenging, as theater often depends heavily on the specifics of each project. However, upon reflection, what I particularly enjoy about my work is the opportunity to immerse myself in new spaces, fantasies, and stories. I can intensly experience these worlds for a time and, through my work, make them accessible to others. My goal is to create atmospheres that enchant people, inviting them to embrace the magic of the moment and be carried away.

I draw inspiration for my art from…
...everyday life. I observe a lot—on the subway, in the supermarket, or simply while walking through Vienna. A piece of advice from one of my professors often comes to mind when seeking inspiration for a new opera project: listen to the opera while strolling through Vienna, for instance, through the First District. That’s usually the first thing I do when starting a new project. It often helps me see situations differently and sparks my imagination.

When it comes to materials, it’s important to me that…
...they mostly come from existing stock or, like the costumes currently hanging in the studio, are second-hand or reused from other projects. Since these items are only on stage for a short time, I don’t think it makes sense to constantly buy new things and accumulate materials that are never used again. For example, for a current project, I have the opportunity to use the stock of the Landestheater Innsbruck. It’s a fantastic way to discover new ideas since every stockroom is filled with countless materials—you just need to take the time to explore. Even for stage elements, I think it’s crucial to reuse existing or pre-built pieces or repurpose certain furniture.

My greatest artistic achievement so far…
...is my diploma project. I’m very satisfied with it.

The feedback that influenced me the most…
...came from a director. After a joint project, she wrote on a card: “She believed she could, so she did.” She praised me for believing in the idea, overcoming obstacles, finding solutions, and bringing the project to life, encouraging me to keep going. That card means a lot to me.

If I could give advice to other emerging artists, it would be…
...definitely to try things out. Ask questions. Be bold and take “bursts of courage.” And trust your gut feeling.

The transition from studying to artistic independence means to me…
...exciting and simultaneously marked by uncertainty. The freedom to do what you want comes hand in hand with the responsibility of managing finances and time. It’s all still new and a balancing act, but it’s enjoyable.

My studio in the Creative Cluster is a place where…
...I can work well and focus. At the same time, I have the chance to exchange ideas with others in the studio, step into the garden for a break, or share a coffee together. I consider that a great luxury.

An artistic idea or project I’m excited to realize…
...will be performed this fall at the Schauspielhaus Graz, and I’m particularly excited about it. It’s a devised piece where ensemble members will perform alongside guest actors and individuals with disabilities. We’re a young team, and I’m sure it will be beautiful, exciting, and inspiring.