Kim Kraczon – The Iterations and Intersubjectivity of Olafur Eliasson’s Model room
Part of the lecture series Best Available Copy 3 – the preservation of time-based media art ...again and again and again.
Kim Kraczon – The Iterations and Intersubjectivity of Olafur Eliasson’s Model room
How does one facilitate the installation of a Wunderkammer-inspired artwork comprising over 500 individual objects with multiple iterations and limited documentation? In this lecture, contemporary art conservator Kim Kraczon recalls her experiences in the interpretation, documentation, installation, and (re)installation of Olafur Eliasson’s Model room during her time working as the resident conservator in Studio Olafur Eliasson.