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Arab Women Solidarity: The Rise of Visual Iconography Productions from the 1950s-00s
Dress and Subversion in Digital Age: "Digital Skin" - Territory of Action
A common world composition
Relationship between atonal stimulation and inspiration based on neuro-aesthetic thoughts
A Phenomenological Study of Light and Shadow as Stimuli for Occupants´Experience
Verkörperung von (weiblichem*) Geschlecht, sensorische Verbindungen in digitalen Formaten und digitale Subjektivität
The Dispossessed inventing themselves in the every day struggle for the Fulgor
Exploring transcultural influences in visual arts: the exposure of modern Egyptian artists to Paris
The View From "No-Man's Land" Digitaly, Memes and the Human Condition
Lingering With Objects from Mauthausen and Gusen

Dissertation project
led by Martina Gimplinger, Institute for Art Theory and Cultural Studies
Project start: 19.09.2016

Art Theory and Cultural Studies